Two Day Collagraph Workshop (SOLD OUT)
Location
Museum of Printing ( MOP) NERAM 106-114 Kentucky Street, Armidale, New South Wales, 2350 Get directions
About
Collagraphs are printing plates where materials have been applied to the substrate or where the substrate has been incised or cut away. These textures hold the ink for intaglio and limited relief printing.
Collagraphs are an economical and non-etchant technique that can produce exciting and ethereal results.
Workshop is suited for Beginners/Experienced. Tutor is Rhonda Ellem.
- Date:
Saturday 25 May 2019, 9 – 4pm
Saturday 1 June 2019, 9 – 4pm
- Venue:
COST:
General: $145 + $20 materials
BGP/Friends of NERAM: $135 + $20 materials
Max. 8 participants, Min. 6 to run
DAY 1
Participants will be guided through each of the two technical stages in producing a series of plates where emphasis is given to line, shape and texture.
MAKING:
gestural (PVA and carborundum)
impasto (stencilling, imprinting, combing)
applying fine textures
incising, cutting and tearing away of substrate
photo on substrate (cutting, enhancing)
Jenny Sages challenge
cut outs/jigsaw
FINISHING:
Shellacing and sanding each plate ready for printing and for plate longevity.
EXTENSION WORK:
3 plates of the same image, prepared for printing
DAY 2
FUN DAY PRINTING
proofing plates, assessing and resolving
overprinting all plates to make one print using intuitive selection and elimination, diluted inks
use of stencils to select parts, give a focal point
wet-on-wet, wet-on-dry
rotating plate 90 degrees
selective inking/poupee
viscosity printing
intaglio
intaglio and monoprinting
jigsaw printing
Participants to bring for DAY 1:
- scalpel knife and blades
- one A4 or smaller stencil (commercial cheap one, picture or letter stencil OR can make one in the workshop from tutor’s material).
- a few small bits/strips of finely textured paper, tissue or foil. Don’t buy, be resourceful.
- ideas, drawings OR 3 copies/postcards of an artist’s (not printmaker’s) work
- pencils/textas/steel ruler
- A4 or smaller photocopy of a cartoon character
- 2 b&w or colour photos with contrast, printed by a photo lab or home printer on photo paper. Any format…A4, 6” X 4” or panorama.
- a few fitch, and soft brushes including a water-colour brush size 6 or smaller, won’t be destroyed
- scissors to cut cardboard
- old plastic credit card or scraper
- cutting mat
- mask if preferred for shellac, working outside
- 3 small jars
- rags
Participants to bring for DAY 2:
- paper offcuts for proofing
- larger paper
- preferably oil-based etching inks or oil paints OR water based etching inks, at least 3 colours.
- gloves/rags
- 4-6 (1”-2”) paint brushes, not stiff bristle, cheap pks from hardware
- ½” wide cheap fitch brush
- 3 jars for brushes
- roller/s if you have them
- old tray, won’t be damaged
- rags
BGP to supply
Low odour turps, Carborundum, Scribes, Tarleton, Rollers, Cotton buds
Materials provided : $20/participant
PVA
Substrate
Modelling paste/impasto/gesso
Stencil material
Vegetable oil
Textures
Shellac
Wet-and-dry
Tape
