Liszt and Brahms: Four-Handed Virtuosity

Liszt and Brahms Four-Handed Virtuosity explores the deep musical and cultural connection between Franz Liszt and Johannes Brahms. From the introspective landscapes of Vallée d’Obermann and the elemental drama of Liszt’s Second Legend, the first half traces a journey through poetic reflection and transcendental virtuosity.

The second half brings both pianists together at one instrument, celebrating the fiery spirit of
Hungary that captivated nineteenth-century Europe. Brahms’ beloved Hungarian Dances burst with rhythmic vitality and rustic charm, while Liszt’s four-handed Hungarian Rhapsodies transform folk-inspired melodies into dazzling, orchestral showpieces.

Together, these works showcase not only the brilliance of Romantic pianism, but the unique energy and intimacy of four-handed performance - where virtuosity becomes collaboration.

Franz Liszt (1811–1886)

Vallée d’Obermann, from Années de pèlerinage, Première année: Suisse

Coady Green, piano

Légende No. 2: “Saint François de Paule marchant sur les flots”

Ricardo Roche Idini, piano

Johannes Brahms (1833–1897)

Hungarian Dances, WoO 1 – Nos. 1–6 (for piano four hands)

Ricardo Roche Idini & Coady Green, piano four hands

Franz Liszt

Hungarian Rhapsodies (versions for piano four hands):

No. 4 in C-sharp minor (after Rhapsodie hongroise No. 12)

No. 5 in E minor, “Héroïde-élégiaque” (after Rhapsodie hongroise No. 5)

No. 6 in E-flat major, “Pester Carneval” (after Rhapsodie hongroise No. 9)

Ricardo Roche Idini & Coady Green, piano four hands