END CREDITS FILM CLUB

2 ACADEMY AWARD® NOMINATIONS: BEST ACTOR: ETHAN HAWKE BEST ORIGINAL SCREENPLAY: ROBERT KAPLOW 2 GOLDEN GLOBE® NOMINATIONS: BEST ACTOR: ETHAN HAWKE BEST MOTION PICTURE - MUSICAL OR COMEDY DIRECTED BY: Richard Linklater On the evening of March 31, 1943, legendary lyricist Lorenz Hart confronts his shattered self-confidence in Sardi’s bar as his former collaborator Richard Rodgers celebrates the opening night of his ground-breaking hit musical “Oklahoma!”. "This is one of the best-directed, best-written, best-acted films I have seen in a while." Stephen Romei - The Australian In English (M 100 mins.

A film by Park Chan-wook A man is laid off from the paper company he has worked at for 25 years. Over a year later and still jobless, he hits on a solution: eliminate the competition. Starring Lee Byung-Hun, Son Ye-Jin, Park Hee-Soon, Lee Sung-Min, Yeom Hye-ran, Cha Seung-won “No Other Choice is a wickedly funny lament for a kinder, gentler existence. It’s also ravishing to look at...” Nikki Gemmell -The Australian “Director Park has said he wants No Other Choice to be his masterpiece and he may well have done it...” Jake Cunningham -Empire Magazine In Korean - English subtitles (M) 140 mins.

WINNER - Audience Award – Venice International Film Festival 2025 A sun-kissed portrait of aging - brimming with nostalgia, humour, and hope - CALLE MALAGA (Malaga Street) is a love letter to all who age with heart. María Ángeles (Carmen Maura), a spirited 79-year-old Spaniard, has spent her life in the Spanish Quarter of Tangier, where she now savors her golden years. Maria’s world is turned upside down when her daughter arrives from Madrid, determined to sell the family apartment. To protect her home and the memories it holds, she fights back and, unexpectedly, rediscovers love and sensuality. “The incandescent Carmen Maura, whose earthy naturalness, sly humor and tenacious spirit feed a direct link back to her Almodóvarian glory days.” Hollywood Reporter “The director of THE BLUE CAFTAN delivers her finest film yet.” The Moveable Fest In Spanish - English subtitles (M) 116 mins.

A film by Oliver Laxe 2026 OSCAR NOMINEE - Best International Feature. A father and his son arrive at a rave deep in the mountains of southern Morocco. They're searching for Mar - daughter and sister- who vanished months ago at one of these endless, sleepless parties. Surrounded by electronic music and a raw, unfamiliar sense of freedom, they hand out her photo again and again. Hope is fading but they push through and follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limits. "Quite what version of nirvana (whether heavenly of earthly) these characters are reaching for is left to the audience to interpret, but what’s for certain is that Sirāt is an early contender for film of the year." Nick Howells - London Evening Standard - 5/5 "It’s a reminder of what movies can do when they loosen the restraints of traditional narrative and remember that images are meant to evoke as much as they are to explain." Brian Tallerico - RogerEbert.com - 4/4 In Spanish - English subtitles (M) 115 mins.

A film by Jim Jarmusch FATHER MOTHER SISTER BROTHER is a feature film, though carefully constructed in the form of a triptych. The three stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three chapters takes place in the present, and each in a different country. FATHER is set in the Northeast US, MOTHER in Dublin, Ireland, and SISTER BROTHER in Paris, France. The film is a series of character studies, quiet, observational and non-judgmental – a comedy, but interwoven with threads of melancholy. "Wry and evocative, writer/director Jim Jarmusch’s FATHER MOTHER SISTER BROTHER is a deceptively simple triptych of stories that explores uneasy family dynamics, with fine work from Adam Driver, Charlotte Rampling, and Cate Blanchett." Rania Richardson -Film-Forward.com - 4/4 "It’s a wondrous interlude, and Jarmusch at his best." Ben Kenigsberg - New York Times In English and French - with subtitles (M) 111 mins.