Deepening the practice
About
This series invites dancers with CI experience into a focused investigation of Contact Improvisation technique.How do we fall upwards?
How do we listen more fully to where touch and momentum begin?
How do we break habits while building technique spacious enough to let go?
We will work with weight exchange, alignment, tone, spirals, and momentum, refining how these elements support clarity, choice, and care in the dance. Classes will include guided warm-ups, structured partner studies, and time for integration through open, responsive jams.
We will look at different pathways into deeper practice whether through technical refinement, cultivated presence, or the permission to trust new possibilities in the dance.
About the facilitator
After more than 30 years of dancing, Contact Improvisation continues to keep me curious. There is always more to learn—new bodies to dance with, new sensations to track, and a deeper listening at the point of contact. An ongoing question in my practice is how we take care of ourselves and our partners in ways that allow both the form and our bodies to be sustained over decades.
I am a dancer, musician, and teacher with over 30 years of professional experience in the performing arts, and more than 20 years of practice and teaching in Contact Improvisation. I have studied with Nancy Stark Smith, Martin Keogh, Helen Clarke-Lapin, Rinske Ginsberg, and Martin Hughes. I am a founding member of Bird On A Wire Dance Theatre, a Contact Improvisation performance ensemble, and have performed extensively throughout Australia and internationally.
In my teaching, I invite experienced dancers into focused, shared investigations of Contact Improvisation technique and practice. We work with weight exchange, alignment, tone, spirals, and momentum, refining how these elements support clarity, choice, and care in the dance. I am interested in how we deepen our practice in different ways—whether through technical precision, cultivating presence, or finding permission and confidence in our choices. There are many pathways into depth, and I aim to support dancers in discovering what opens the work for them.
I am a graduate of the Victorian College of the Arts (VCA), a qualified yoga teacher, and work across dance, improvisation, and music. In recent years, I have devoted my practice to the TaKeTiNa Rhythm Process, teaching workshops in Australia and Asia and undertaking senior training with founder Reinhard Flatischler. I currently work as Musical Director and Choreographer with Somebody’s Daughter Theatre Company, a Melbourne-based community arts organisation working with women in prison and marginalised youth.
Dates
Thursday 12 February 2026 - Thursday 26 March 2026 (UTC+11)Location
Community Church of St Mark
100 Hodgkinson St , Clifton Hill victoria 3134
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Deepening the practice
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